Perturbed Hyena mimics the resist-dye technique used in Indonesian Batik; instead of wax, I use painter’s tape to capture my perception of energy. The paintings, much like Javanese Batik, are a mere snapshot of a much larger universe, and therefore tend to bleed off the edges. Beyond the structure of the pattern in the foreground, lies a chaotic background characterized by strong strokes of red paint.

The painting has been created using the highest-quality archival acrylic paint on canvas. It is currently available un-stretched, but can be stretched on a wooden frame for no additional cost.